http://www.truewestmagazine.com/wp-content/uploads/2013/12/cowboys-bathing.jpg
This is an image of cowboys/frontiersmen
taking a bath at what seems to be a creek after months of cattle driving. These
cattle drives would often take months to complete and so the cowboys would
bathe before heading into cowtown to celebrate.
This image is symbolic as it represents
triumph and success in the new frontier in America. The men in the image are
smiling after what can be assumed as a successful cattle drive. The image is
relaxed at the lower half with men bathing although some men are horseback at
the upper portion of the image. This creates a sense of haste. Although there
are smiles, these men are still on schedule and there is an underlying sense of
urgency.
This is an oil painting by Gregory Perillo.
The image depicts a native horseback upon a mountainous prairie. The native
man’s facial expression and body language here assumes an element of
comfortability, majesty as well as the symbiotic relationship between man and
animal. Most native tribes were not technologically progressive and preferred
to live off the land and harness nature to the best of there ability. That
being said, there is a cross over here which may indicate a time frame of when
this painting is set, and that is the rifle. This suggests the painting may
have been set in the mid to late 1800s as this is around the time where more
modern firearms would’ve become more readily available to natives. What is also
interesting about this image is an ulterior sense of paradox. Despite the
native seeming majestic here, the way he is facing is interesting. In much
frontier art we often see the progressive society (typically westerners) facing
West, as this assumes they were always looking to the west (to signify westward
expansion), so the fact that the native here is facing the east suggests and
underlying regression and retreat, as if he is being pushed out of his Western
homeland.

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