Capturing the
Grizzly was painted by Charles Marion Russell in 1901. Russell was known for
his storytelling, both through his words and through his paintings, with this
in mind, he often found himself sacrificing the accuracy of his paintings in
favour of telling a better story. With this particular painting, we don’t know
how historically accurate it is, but it can be seen as a romantic view of the
American West.
It demonstrates
the idea that man can tame the West, symbolised in the capturing of a large and
dangerous wild animal. The action of capturing the bear indicates a strong
sense of bravery on their part, this is emphasised by how the horses are
clearly scared and attempting to flee (an instinctive response to the threat),
but they follow the orders of their riders and stay reluctantly. The landscape
is a strong backdrop to the barbaric treatment of the bear, it suggests there
is a world out there that is drastically more significant than three men
capturing a grizzly, yet they remain the focus, indicating that man sees
himself at the forefront of any painting.
The Holy Rattle
(Elkwater Lake Battle, 1864) by Z.S. Liang was painted in 2015. The Battle of Elkwater
Lake was between two Native American tribes, the Blackfoot and the Kootenay. It
began by the Kootenay hunting buffalo on the Blackfoot territory without asking
permission as they usually would have.
Without taking in
the date of the painting into account, the first impression is that it was
painted in order to portray the Native Americans as ‘uncivilised’ as their
fighting appears to be chaotic and unorganised. This contrasts with how the
settlers would have fought in organised groups. However when we take the date
of the painting into account, in 2015 most people recognised the skill of the
Native Americans and admired them for their strength, thus this painting suggests
they were formidable opponents, even to each other. Their tribal wear suggests
pride and loyalty, as well as a way to distinguish between allies and enemies.


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